Jul 30, 2011

African beauty.


African Beauty
Measures of beauty can’t be always be measured. Everyone has his own beauty tasting.
With this painting if we look to the features of the woman’s face many will not see her a beautiful woman. Many will see her beautiful as i see here. Often we link between beauty and sex that can be when we look with eyes of covetousness. But to see the really beauty of a woman you must use the eyes of your heart. We must know that every woman has her own way to show her beauty.

Our woman in this painting shows her beauty with different ways. For sure her head is shaven or has a short hair. But with this lovely elegant black turban she has added what can show a part from her beauty. If we look at her eyebrow we can see it’s embellished. She also had added eyeliner around her eyes. The lips i think it can be an ideal lips for nowadays makeup. The necklace is an African style one that can add more to show her beauty.

Every woman shows her beauty to everyone but be specially for men. The woman knows what can attract the men. So the men in Africa can be attracted to women beauty with different way than men in Europe.

Dec 11, 2010

Beauty behind veil


Beauty behind veil

Among green meadows you can see
A sweat stream flowing so softly,smoothly
With a musical rhythm
It's beauty.
Alabaster magical nymphs are hidden behind veils.
Their eyes are only what you can see.
In the eyes lies the secret of all beauty.
The shameless beauty loses its sweetness after a while.
The hidden beauty always keeps its beauty secrets.
I said to her
How much your eyes keep saying about
The beauty of your soul and your heart.
Yes your body is beautiful
But i can see it more beautiful in your eyes.
If my world is beautiful !!
Because i see it through your eyes.

Dec 8, 2010

The Smoker


The Smoker

The Smoker .. Pastel on paper 50cm×70cm.
An old man from upper Egypt,it was painted from B&W picture.
His closed eyes show how he's enjoying smoking.The weather in the upper Egypt is so hot most seasons of the year.May you wander why the man is wearing such heavy clothes. Local people believe that it can portect from the heat.

MY LOVELY SWEETIE SEXY ROSE


MY LOVELY SWEETIE SEXY ROSE
This pastel painting is one of my favorite. Painting it I based on B&W picture. The body was completely naked, i added some leaves to hide some parts of her breast thinking it can be more exciting.Its size is 30c×40c.

BACK AGAIN

BACK AGAIN
I started to work with this Blog since 30/12/2006.My intentionwas to creat a blog which will be a guide and help to improve my knowledge about painting art throughout different epochs and schools of art. I started my first Blog with great French painter artist Edgar degas .
I spent one year working with this Blog and another Arabic Blog, which was more intersted to me,so i can't posted more than four Blogs all that year.After some time i got boring from all Bolgs and left all of them.
Today when i was checking out about some artistic sites i found some magnficent artistic Blog sites.I got so motivated to be back again working with this Blog.
Really i'm not sure if i'll have the same motivation or not but i'll try.
SO HERE I BACK AGAIN

Dec 25, 2007

جوجان والجمال التاهيتى-Paul Gauguin-(1848-1903)

What torments me most is not so much the poverty as the continuous obstacles to my art that I cannot do as I feel it, and could do without the poverty that ties my hands. My artistic center is in my brain and nowhere else, and I am great because I do not let myself be disturbed by others and because I do what is inside me.
Paul Gauguin, Lettera alla moglie , Tahiti, marzo 1892

On the subject of line and drawing, Gauguin said in 1879, “One must draw and draw again…It is only by drawing often, drawing everything, drawing incessantly, that one day you are amazed to discover that you have found the way to render a thing with its own character…don’t make pretty, clever little lines, but be simple and insist on the major lines that count…”.


The women of the island of the Tropics, at the South Seas,where Paul Gauguin spent the most artistic years of his live, comes out with there gorgeous beauty in all his painting.

Paul Gauguin In 1891, ruined and in debt, Gauguin sailed for the South Seas to escape European civilization and “everything that is artificial and conventional.” Except for one visit to France from 1893 to 1895, he remained in the Tropics for the rest of his life, first in Tahiti and later in the Marquesas Islands.

Gauguin was born in Paris on June 7, 1848 and died on 1903 at Marquesas Islands.The essential characteristics of his style changed little in the South Seas; he retained the qualities of expressive color, denial of perspective, and thick, flat forms. Under the influence of the tropical setting and Polynesian culture, however, Gauguin's paintings became more powerful, while the subject matter became more distinctive, the scale larger, and the compositions more simplified. His subjects ranged from scenes of ordinary life, such as Tahitian Women, or On the Beach (1891, Musée de Orsay, Paris), to brooding scenes of superstitious dread, such as Spirit of the Deadwatching (1892, Albright-Knox Art Gallery). His masterpiece was the monumental allegory Where Do We Come From? What Are We? Where Are We Going? (1897, Museum of Fine Arts, Boston), which he painted shortly before his failed suicide attempt. A modest stipend from a Parisian art dealer sustained him until his death at Atuana in Marquesas on May 9, 1903.

GAUGUIN AND HIS LOVELY WOMEN:
TAHITI WOMEN ON THE BEACH.

Gauguin said:My artistic center is in my brain and nowhere else. Gauguin was starting his works by a rough sketches.He draws the main figuers of his work and after that start painting.



He painted the Tahiti women on the beach twise.






We can see the changes in that painting.The background is little bit different.The dress of the women in the right is different and the pose too.

That fruit at bottom center of the painting.





“Dead Spirit Watching”

Here a young woman, full of sexuality and potential to make life, lies next to “Mr. Death.”


Gauguin was ill himself during this time in Tahiti when he painted that painting and he contemplated death in this and other paintings.Since Gauguin been in the tropics he was suffering from a lot of tropics's disease.All the Gauguin felt that the death is hovering near to him.
It seems that Gauguin is remarking on the fragility of human life, with this somber subject matter, ironically painted lively and exotic colors. The lusciousness of the painting emotes the beauty of life, with ever hovering death always present.









Oct 26, 2007

Where Do We Come From, What Are We,Where are We Going





Gauguin claimed that he did not think of the long title until the work was finished.The painting is so superbly,organized into three parts.Circle to the right and to left,and a great oval in the center.




The right:



Where Do We Came From?


we see the baby, and three young women - those who are closest to that eternal mystery. In the center, Gauguin meditates on what we are. Here are two women, talking about destiny (or so he described them), a man looking puzzled and half-aggressive, and in the middle, a youth plucking the fruit of experience. This has nothing to do, I feel sure, with the Garden of Eden; it is humanity's innocent and natural desire to live and to search for more life. A child eats the fruit, overlooked by the remote presence of an idol - emblem of our need for the spiritual. There are women (one mysteriously curled up into a shell), and there are animals with whom we share the world: a goat, a cat, and kittens.

In the final section (Where are we going?), a beautiful young woman broods, and an old woman prepares to die. Her pallor and gray hair tell us so, but the message is underscored by the presence of a strange white bird. I once described it as "a mutated puffin," and I do not think I can do better. It is Gauguin's symbol of the afterlife, of the unknown (just as the dog, on the far right, is his symbol of himself).
"All this is set in a paradise of tropical beauty: the Tahiti of sunlight, freedom, and color that Gauguin left everything to find. A little river runs through the woods, and behind it is a great slash of brilliant blue sea, with the misty mountains of another island rising beyond Gauguin wanted to make it absolutely clear that this picture was his testament. He seems to have concocted a story that, being ill and unappreciated (that part was true enough), he determined on suicide - the great refusal. He wrote to a friend, describing his journey into the mountains with arsenic. Then he found himself still alive, and returned to paint more masterworks. It is sad that so great an artist felt he needed to manufacture a ploy to get people to appreciate his work. I wish he could see us now, looking with awe at this supreme painting."
Gauguin's Painting By Years (selected):
1875-1885



1886-1890




1891-1903



Oct 17, 2007

COMBINATION BETWEEN THE ANCIENT AND THE NEW


ADAM&EVE
IN THE ART HISTORY
Here's two art pieces of the greatest painters, Austrian painter"Gustav Klimat"and "Tamara de Lempicka ".
I try to do some photomanupilation to the two painting
Here's the original one for the first painting of Klimat.


And here the modified painting as you see the different position of the head.The model too is different.




The second painting is the adam&eve by lempicka.

Here's the original paint.

Here's the modified paint.







Dec 30, 2006

Edgar Degas -- عاشق الباليه ادجار ديجا 1917-1834





The star
One of Dega masterpieces.
Painted on
1876-77. Pastel on monotype.
"...Aspects of Degas's work - mainly, his ballet paintings from the 1880S - have long been popular with a broad audience.
Among other reasons they were easier to sell. Degas’ ballerinas have determined his popular image to his day.

The Dance Class, 1873-76


















Edgar Degas was an artist known as the “painter of dancers” who also worked at perfecting his skills in photography, lithography, oil paintings, pastels, and etching. His innovations set the standards for Impressionists. He was especially intrigued by Parisian life, namely females, whether entertainment specialists, cabaret performers, or ballet dancers.
EDGER DEGAS'S BALLET DANCERS PAINTING: